Similarties and Differences Between Romeo and Juliet Movies

Shakespeargons Romeo and Juliet Is a lam based on love, hate, tragedy and sacrifice. It has been retold some(prenominal) assorted sequences in some(prenominal) written and film text and it is efficacious and timeless throughout the use of many another(prenominal) techniques. Baz Luhrmann and Franco Zefirelli are two directors who fork out do this classic job into film. Both directors have portrayed the major guessings within the play with some confusableities and unlikenesss. The three major hold prospects being discussed are the fight scene at the start, the fight scene amongst Tybalt and Mecrutio and the death scene of Romeo and Juliet.In the first scene, the reference is introduced to the hatred in the midst of the two feuding families, and twain directors portray this in similar and different ways. One similarity is the camera angles at that place are oddment ups to reveal the transparent emotion on the Capulets and the Montagues establishments and birds ey e views to re search the conflict. A noticeable difference between the versions is the music Luhrmann uses intense, powerful music to localize the mood, however, Zefirelli uses the crowds uproar.Another difference is the depiction of Christ in Luhrmanns, a enormous statue of Christ is shown as a original of the power of the Church over the lives of the mountain below. On the contrary, in Zefirellis, no pietism is revealed. During the fight scene between Tybalt and Mecrutio, Luhrmann and Zefirelli nestle it in a very similar barely contrasting manner. In Zefirellis version, the atmosphere is almost comical as the two battle it out until Tybalt takes it too far and fatally stabs Mecrutio. In Luhrmanns, Tybalt seems control with rage and fights Mecrutio mercilessly.The similarity in two versions is that when the fight ends there is a close up on Tybalts face that reveals his regret towards Mecrutios death. During the conflict, Luhrmann cleverly uses a visual metaphor in the accentuate the brewing of a storm. As the scene gets more than intense, the storm becomes more pronounced, until ultimately it is unleashed as Romeo kills Tybalt. Zefirelli delivers his fight scene more mundanely. In the scene were Romeo and Juliet die, Luhrmann and Zefirelli approach it in two different ways that are both effective in their similarities and differences.Luhrmann portrays Juliet as the centre of attention, dressed symbolically in white, surrounded by a sea of candles. Both versions include a thrust of the dead star crossed lovers trickery in each others arms, finally together. In Luhrmanns, he builds up the suspense until you almost believe Juliet entrust wake up in time to stop Romeo taking the poison. Whereas Zefirellis leaves no doubt that they will not be together. A crucial final difference in both versions is that Luhrmann never shows the families reuniting.In the play, Capulet and Montague barrack to end their feud in the Zefirelli film, the families receive visually. Zefirelli and Luhrmann have both made big versions of Romeo and Juliet, both approached it in different provided similar ways. Zefirellis version is intriguing, but the overall winner is Luhrmanns. He captivates the audition with an amazing cast, exciting camera angles and enchanting music. Despite the modern outtake of his interpretation of the play, Luhrmanns film language remains Shakespearian, which gives it that received touch.